Thursday, May 24, 2012

COLLECTION #237: My Own Pins


Back in 1976 or 1977, when I was working at Grey Advertising in LA, I began designing whimsical little pins for myself, and to sell to my friends at work. My technique was to draw a little line art illustration on a small piece of cold press illustration board, paint the design with Dr. Martin dyes (concentrated watercolors in vibrant colors), cut it out with an X-acto knife, coat it with a clear coat to protect the surface, then glue on a pin back. When I first started making the pins, I didn't know any spray coating to use, so I actually brushed on Elmer's glue, knowing it dried clear with a glossy finish. Through the next couple of years, I made dozens of different styles of pins, mostly little animals, fun foods, and other mostly child-like designs. I had a few cartoony animals that I did regularly: pigs dressed in cowboys outfits, a bear in tweed, ducks on wheels. I developed a style of outlining the entire critter in a heavy outline, and then I painted the backs and edges of the pins black. I soon discovered Krylon Crystal Clear coating, and I loved how they looked with a nice glossy/matte finish.
One of my original pins, (note my maiden name). The funny dark color at the top of the pig is from the Elmer's glue discoloring after many years.

Some of my early designs. Many of them have faded with age. These were created in 1978-79.
It wasn't long before I tired of the labor-intensive cutting-out process. Illustration board is extremely hard, and I broke countless blades, and nicked myself dozens of times. (Not to mention cutting off a few of my little animal's appendages). It seemed that I could create a simpler shape that would consist of simply cutting straight lines instead of all of those tiny curves. So, in around 1979 or 1980, my new style was born. The fun thing about this new way of doing the pins, was I could create a little work of art, with a border, background, and often, some sort of little pattern behind the subject matter. It didn't take long before I began to add a 2nd layer onto these designs, making them a little more 3D.  By the time I started making these little rectangular pins, I was a young Mom, freelancing at home, and I was no longer selling them. They were just for me.
Original designs from 1980-1982 or so. The hearts were the first with a 3D piece.

First designs I created when we moved to RI. The little girl in the candy store was the first one with a moveable piece. Note the Mexican sombrero man pin with the matching earrings!

Fast forward a couple of years. We moved to Rhode Island in 1986, and I was working for Hasbro. I began to wear these pins again.  Pins were very popular in the mid-80s, and I decided to resurrect my little pin business. I made countless new designs, each one of these with a little 3D piece attached. My Hasbro friends bought them from me, and I loved to make some little design that was special to them. It didn't take long for me to start adding a little grommet, to make my extra add-on piece move. I had fun figuring out some little surprise element that could be hiding behind the moveable part.  I began going to craft fairs, and selling my pins (and sometimes earrings), and eventually, Bruce and I decided to make a business out of it, and have the pins mass-produced. Since they were in essence paper, we didn't have to worry about molds or tooling costs. We just had printing to deal with. We found a local company to print and laminate the finished design, we had them mounted on black illustration board and die-cut, and we assembled them ourselves. We also had a lovely catalog printed up, and Bruce hit the gift show market. This all took place in 1988-89. Our little company was called "A Small Motion", and the pins were called 'Whimsimations'. (A combination of whimsical and animation!) Bruce took on the business with enthusiasm. He assembled, packaged, shipped. He went to trade shows, followed up with buyers and shops, and handled all of the paperwork and complicated legal and tax details. After my first 24 designs were complete, it didn't take long to realize I needed more seasonal designs, so 20 more designs were done for Christmas, Halloween, and Valentine's Day.

The fish in the photo above this one, shows the first design. When I decided to add the movable part, these two fish were my first revisions. Note the evolution of the fish's eye!

The top designs are hand painted, each with a movable part. The lower dragon pin, is printed, and shown on our display tag. 
Not long after we really got the business going, I accepted a new job in Minnesota, working for Tonka Toys. The remainder of our unassembled pins were packed up, and we took them along with us. We still have many of those boxes today, still sitting in the garage. We never managed to resurrect our pin business. It was a combination of factors- we had lost the majority of our sales reps in New England, and so had low sales. Bruce needed to get a job when we moved to Minneapolis, so there was just no time. So, that was the sad end of Whimsimations.

I wanted to document this little business, and share with you my collection of all of the hand made pins I have in my collection. These do not include all of the hand-made prototypes of the final 44 pin designs. I have these all wrapped in bubble wrap, safely stored away. These represent the evolution of my pins, and the fun I had drawing and designing each one.




Wednesday, May 23, 2012

COLLECTION #236: Vintage No. 1 Pocket Kodak Camera


It's 'Orphan Wednesday'! For today's orphan object, I'm sharing my Dad's camera, a vintage 'Pocket Kodak' folding camera. My research dates this camera's manufacture from 1926-1932, which seems to fall into the exact correct time frame: he graduated from high school in 1933, which means, if the family bought the camera new, he probably got it sometime during his high school years. (It's also likely that it was purchased as the family camera, and Dad inherited it when he went away to college. I'll probably never know exactly!) I have quite a few snapshots my Dad took during his college years,  and it seems safe to assume these black and white photos were taken with this camera. My Mom remembers Dad having the camera when they met in 1937. Somewhere along the road, probably while I was in college myself, I appropriated the camera. I think I had some illusions that I would use this antique camera to take my own photos, but by the time I got it, the bellows were already cracked and tearing, which would allow light into the camera. I was happy to merely display it with all of my worn and weathered 'stuff'. Here's a photo of the camera in my BYU apartment, 1974.

You can see the camera on the shelf at center left

I take complete responsibility for the dismal condition of the camera. I used to fold it up regularly, and I'm sure the fragile canvas bellows couldn't take the pressure of folding and unfolding. The entire right side of the bellows has rotted away. But, poor condition or no, this camera means the world to me. I hope you like looking at it! I'd love it if you'd leave a comment if you have any special camera memories to share!





Eugene Clark, my Dad, location unknown, ca 1937

My Dad, Brigham City Utah, ca 1933

One last thing- several years ago I created a layout about my Dad's camera, I'll share it with you:

(You can click on the layout for a closer view)

Tuesday, May 22, 2012

COLLECTION #235: Vintage Looms



These are fun little looms, designed for making small square designs. The large toy loom set by Transogram is from 1959, and belonged to me as a child. I was pleased when I opened up the box, to discover that I kept all the jersey loops all organized and neat. What a great kid! It brought back happy memories of making little pot holders for my Mom. I'm sure she enjoyed my little creations.



The other two looms are, while similar in design, are used slightly differently. The toy loom uses loops of fabric which the child weaves in and out, creating pattern by varying the colors. The Loomette and Jiffy Loom are designed to be used with yarn or thread, and a needle, and different patterns can be woven into the final design by varying not only the color, but the actual weave stitches, so that intricate patterns and texture can be achieved. With both looms, the idea is to take the finished squares, sew them together, and make larger items like purses, afghans, scarves, hats, and other clothing and household decor.

The Jiffy-Loom is from the Calcraft Corporation in Glendale, CA, and was copyright 1937. There's even a photo of the factory inside the instruction booklet. The Loomette was made by the Cartercraft Studios in Eagle Rock, CA in 1936. Glendale and Eagle Rock are only a few miles apart, which I think is interesting! (I'm easily amused).





I'd love to see some items woven with the small looms... (trust me, I've seen plenty of potholders woven with the child's loom!) It would be interesting to see the types of patterns that people achieved with their handy dandy loom. The original price on my Jiffy-Loom was 25 cents! The Loomette has a price tag on the bottom from Bullock's Los Angeles- the steep price of $2.

Monday, May 21, 2012

COLLECTION #234: Vintage Pet Photographs


Admittedly, these vintage snapshots of pets and their owners aren't the highest quality. No professional shots here. But it's obvious that these (mostly) dogs were beloved by their masters, enough to feature them in a precious photo.

I often pick up old photos when I see them in flea markets or antique stores... they are sometimes found for as low as a quarter, and I really enjoy looking at the faces of the folks, trying to get a feel for their lives and times.  I have not sought to collect people and their pets, but in going through my stash, I found quite a few.  So, I'll just share them with you! These vintage photos look like they were taken in the 1930s, 40s and 50s.

Looks like the pups are upstaging the bathing beauties!

Kitty gets some attention too

Love this couple... great car too!
Hey, can't we get a look at Fido's face?
That's better!

Too bad this shot is so blurry... looks like the little guy on the left is taking a potshot at us.
The ladies love the dogs too... what's she got in that bag?
Pretty girl, ugly dog!

Just to show you that I love dogs too, here are a couple of my own layouts about my childhood dogs.

Sandy: our cocker spaniel 1950-1965

Charlie Brown, our chocolate poodle- 1965-1978


Friday, May 18, 2012

COLLECTION #233: Vintage Children's Illustrations



Since it's Ephemera Week, I'm breaking my tradition of posting my vintage school books on Fridays, and instead, sharing some really sweet children's illustration prints from my collection. These are all just loose prints, from old magazines and books. They are all from the 1920s and 1930s. I really don't have much to add about the details of the illustrators or publications, as I haven't done my research. The important thing is to share them with you so you can see what adorable artwork our parents, grandparents, and perhaps great-grandparents enjoyed when they were small. Most of them are pen and ink, with perhaps some added color. They are without exception, adorable. I hope you enjoy!






This is a detail of the artwork above.
I hope you enjoyed our little journey through ephemera this week. It was fun trying to think of new and interesting items to share with you each day. If you collect ephemera, I'd love it if you'd leave me a comment and tell me what kinds of things you collect!

Thursday, May 17, 2012

COLLECTION #232: Vintage Sewing Ephemera



I have a few vintage sewing and home decorating items in my ephemera stash. Not being a sewer or needlecrafter, I'm not usually on the lookout for sewing items, but as usual, these have kind of fallen into my lap through the years.

I'll just let the pictures do the talking, enjoy!

Fun children's patterns from the '30s and '40s. The one on the right is for Shirley Temple dolls.

Two home decorating booklets from the 1950s

Making draperies looks like drudgery to me! 

Fun ideas for slipcovers and trims!



Note the felt Mexican jacket on the right, just like mine!